Their sound draws from so much you’ve heard before—‘70s rock and funk, high-energy improv, a touch of pop, a sliver of metal. But the members of this group mix and match those elements—with just a hint of modern tech to burnish a sturdy nucleus of retro-minded organ and guitar—in ways that never fail to astonish.
SPOCK'S BEARD The Light (Symphonic Prog, 1995)
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Review by siLLy puPPy — Neal Morse is probably the closest thing prog has
to a gospel singer and spiritual leader having converted to Christianity
and po...
vor 6 Stunden
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