The Hollywood Vampires was a group of famous male rock stars in the
70's.
In 2015, the "Hollywood Vampires" is a supergroup hard rock band
formed by Alice Cooper, Johnny Depp (the actor!) and Joe Perry feat. a
heavy load of well know names as session musicians.
Their s/t debut
album was released on September 11, 2015 and will be composed mainly of
covers from the 70's with the exception of two new tracks written by
Cooper titled "My Dead Drunk Friends" and "Raise the Dead".
Also
included is a voice-over titled "The Last Vampire" voiced by Christopher
Lee. Being recorded shortly before his death, this marks Lee's final
appearance on a musical record.
Members
Touring Band:
Alice Cooper – vocals Joe Perry – guitar Johnny Depp – guitar Tommy Henriksen-guitar,vocals Duff McKagan – bass Matt Sorum – drums
Session Musicians:
Alice Cooper – vocals, harmonica, backing vocals Johnny Depp – guitar, backing vocals, keyboard Dennis Dunaway – bass Bob Ezrin – piano, keyboard, backing vocals Perry Farrell – vocals, backing vocals Dave Grohl – drums Tommy Henriksen – guitar, backing vocals, programming Brian Johnson– vocals Charlie Judge – keyboard Robby Krieger – guitar Abe Laboriel Jr. – drums, backing vocals Paul McCartney – vocals, piano, bass Orianthi – guitar Joe Perry – guitar Slash – guitar Neil Smith – drums Glen Sobel – drums Zak Starkey – drums Joe Walsh – guitar Kip Winger – bass guitar Duff McKagan – bass guitar Bruce Witkin – guitar, bass guitar, keyboard, piano
The Black Codex is a musical series in 52 episodes conceived by
multi-instrumentalist, composer & producer Christiaan Bruin (Sky
Architect, Adeia, Nine Stones Close, Mayra Orchestra, Chris).
It tells the story of a young man (Ezio) who sets out to draw a map of
the world, from a wooden flying machine. However, from the moment he
meets Lev, his plans go completely awry.
Lev has a mysterious insight
in the patterns in which people behave and is a master of secret plans
and schemes. Lev involves Ezio in his quest for an ancient book called
The Black Codex.
The whole series of The Black Codex will be released on
4 double CD’s, packaged in a mini-album sleeve.
A must for all fans of
melodic progressive concept albums.
"Love, Fear and the Time Machine" by Riverside out now!!!
Arguably the band's most mature work, the album sees the band return to the melodic and atmospheric Progressive Rock stylings of its debut "Out Of Myself".
The Polish progressive quartet’s sixth album sees a slight shift in
attitude and direction as they delve deep to challenge their modus
operandi.
Seems there’s something about prog rock and time travel
at the minute. On their new album, you’ll find fellow Inside Out label
mates Spock’s Beard singing about Bennett Lamb building a time machine
and travelling back to the dawn of civilization…or 1983 as we know it.
Now we find Riverside adding the time machine/travel notion into their
new album.
Lyrically, there’s a loose thread running through the
songs, carrying a message about the impact of making life changing
decisions; transformations which on the one hand are exciting and
liberating yet on the other, carry the fear of the journey into the
unknown. A far cry from Dr Who and Back To The Future, more
philosophical and thought provoking and if you’re going to have some
sort of theme, why not go for it big style. ‘Love, Fear And The Time
Machine’ also continues the playful little idea with this, the sixth
album, having six words in the title (the first three had three word
titles, while the fourth and fifth followed suit with, you’ve guessed
it, four and five word titles).
Having cleared up all the
necessary details, how’s the music? By contrast to earlier Riverside
it’s arguably verging on mellow and many will feel all the better for
it. Also by reining in the length and essentially softening the vocals
to a level it makes you wonder why you’d want to hear anything which
involves dark screaming . There’s also what sounds like quite a
contemporary mix and production – not as metallic as the nu-prog of
Leprous and not as old school as Spocks, but more, well relaxed and
comfortable in its own skin. Everything seems expansive, open and light –
the brightness and space and the calm vibe – maybe in their dabblings
into a fresh approach they’ve stumbled upon their niche.
For those who consider album sequencing an art form, this one’s a perfect example of the one that starts with an absolute belter, a real bobby dazzling peach of a track. ‘Lost (Why Should I Be Frightened By A Hat?)’ – a brilliant enough title if ever there were one – has all the hallmarks of a classic album/gig opening song. Building deliberately and atmospherically before the drums kick in combo with a killer guitar phrase and for an added thrill to see how it translates into live performance, check out the uplifting set opening version at the end of the review. Michal Lapaj’s organ, simple yet effective and not for the last time on the album – see ‘Caterpillar And The Barbed Wire’ and the lower key ‘Afloat’ where it’s most effective in setting up the anticipation and mood. Even where the music takes a journey along a slightly more heavy path like it does at times during ‘Under The Pillow’ and ‘Discard Your Fear’ it appears much more subtly rather than a jarring invasion.
Mariusz Duda’s vocals on the album are a revelation. He’s talked about “an optimism and willingness to change for the better” in their attempt to leave behind the expected template set in the seventies and eighties and both musically and vocally Riverside have carried that optimism off to a tee. Some fans may bemoan the fact that nothing on the album which hits double figures in terms of track length yet they show that seven and eight minutes are long enough to make the point. Not so much a case of less is more or clockwatching, but when they go longer on ‘Saturate Me’ and ‘Toward The Blue Horizon’, the latter reminiscent of the direction taken by the more prog orientated Opeth, they show that they can effectively combine the light and the shade without it being too contrasting or grating – more a gentle blurring of the two extremes. It’s also the pick of the two longer pieces although both impress with some nice instrumental sections.
Bringing things to a end is ‘Found (The Unexpected Flaw Of Searching)’ closing off an hours journey through the lost and found circle, delivering ‘Love, Fear And The Time Machine’ as the album that the fans have asked for. But be careful what you wish for. There’s no display of pretentious instrumental virtuosity but a real band energy all combining to show that listening to the fans while at the same time sticking to your own vision is a lethal combo. An unmitigated success and an album which must see Riverside becoming one of Inside Out’s flagship bands.
Discography
albums
2003: Out of Myself
2005: Second Life Syndrome
2007: Rapid Eye Movement
2008: Reality Dream (live)
2009: Anno Domini High Definition
2011: Reality Dream Trilogy (6CD-Boxset)
2013: Shrine of New Generation Slaves
2015: Love, Fear and the Time Machine
EP's & singles
2003: Riverside (Promo)
2003: Loose Heart
2005: Voices in My Head
2005: Conceiving You
2007: 02 Panic Room
2008: Schizophrenic Prayer
2008: Reality Dream Tour 2008
2009: Egoist Hedonist
2011: Forgotten Land
2011: Memories in My Head
2012: Celebrity Touch
Aeneas are a five-piece band from
Augsburg/Germany which combines rock music, electronica, and epic
orchestral sounds – a unique style mix which has attracted many
followers outside of Bavaria.
The band members are mainly influenced by modern rock groups such as
Muse and Coldplay, but also by classic 70s prog acts such as Genesis and
Yes. Moreover, they are huge fans of classical music and soundtracks
and therefore they decided early on to integrate many orchestral
elements. The results are absolutely stunning, not only because Aeneas
are real masters in terms of arranging, but also because they are
equally capable of writing radio-friendly songs as well as highly
emotional longtracks.
Their outstanding debut album "New-Renaissance" is available now!
Apart from that, Aeneas have proved numerous times
that they can recreate their complex arrangements live on stage.
Last but not least, Aeneas have an outstanding frontman: Stefan
Krause (winner of the “German Rock & Pop Award 2009” in the category
“Best singer”) has a distinctive voice which perfectly suits the
different characters that he portrays.
Aeneas – this is Epic Rock for the new millennium.
Hailing from Louisiana, Abigail's Ghost are a progressive rock band that have just released their new album "Black Plastik Sun".
Founded as a five-piece founded by two high school friends, Joshua Theriot (lead
vocals, guitars) and Kenneth Wilson (bass guitar, backing vocals), who
had already played together in local bands.
Theriot and Wilson
both left Louisiana in 2003 to study at the prestigious Berklee College
of Music in Boston; however, soon afterwards Wilson moved back to his
home state to study biology. The two friends, however, kept in touch via
e-mail, and continued writing music together. This is when they decided
they needed some additional members to play the parts they had written
for drums and keyboards; so they contacted another long-time friend of
theirs, keyboardist Brett Guillory. The band lineup was completed when
they enlisted the services of Theriot's Berklee roommate, drummer John
Patrick, who brought along his friend and musical partner, Randy LeBoeuf
(rhythm guitar). Abigail's Ghost debut album, "Selling
Insincerity", mainly based on the material written by Theriot and Wilson
during their long-distance correspondence, was recorded in a week in
New Orleans, and released in 2007 on the band's own label, Aesperus
Music. Their sound has been often compared to that of Krautrock bands,
as well as modern prog giants Porcupine Tree.
Discography
2007 Selling Insincerity 2007 Cerulean Blue (EP) 2007 Seeping (EP) 2009 D_Letion 2009 Live Rosfest 2009 (DVD) 2014 Unmastered (EP) 2015 Black Plastic Sun
Big Big Train returns with its first release since the universally acclaimed English Electric albums.
The "Wassail" EP contains three new songs (two of which are exclusive to the EP) and a live bonus track, and demonstrates the band confidently expanding its musical palette.
The title track is a memorably melodic and anthemic fusion of Folk, Progressive and Rock music, while Lost Rivers Of London and Mudlarks are evocative evolutions of BBT's trademark 'English pastoral' sound. The EP is completed by a powerful performance of Master James of St George (live at Real World studios).
Big Big Train is an English progressive rock band, founded in 1990. Based in Bournemouth, England.
Having released eight studio albums and five EP's, they were an independent band for most of their career (although they were signed to the Giant Electric Pea record label from 1993 to 1998, distributing releases through their own website. Up to 2009, Big Big Train worked mostly as a studio project band headed by Spawton and Poole with changing line-ups and guest musicians. Since their sixth album The Underfall Yard, which received critical acclaim from the progressive rock community, a more stable lineup has been established, and the band's first live concerts in over ten years have been announced for August 2015. Big Big Train were the winners of the Breakthrough Award at the Progressive Music Awards held at Kew Gardens, London on 3 September 2013; their album English Electric Part Two was nominated in the best album category.
Discography:
Albums:
Goodbye to the Age of Steam (1994) English Boy Wonders (1997) Bard (2002) Gathering Speed (2004) The Difference Machine (2007) The Underfall Yard (2009) English Electric Part One (2012) English Electric Part Two (2013)
Demos and EP's:
From the River to the Sea (1992) The Infant Hercules (1993) Far Skies Deep Time (2010) Make Some Noise (2013) Wassail (2015)
Single "A Ceiling Of Stars" including two new songs.
This will precede the Full Length album to be released in 2016.
Recorded in May 2015 at AudioLab Studios in Ciudad Juárez, México; released 28 July 2015.
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